Julien Brun — Sound editor · Mixer · Sound designer
Sound editing and mixing for film.
Sound editing, mixing and sound design for cinema, fiction, documentary and advertising.
About
Passionate about sound, I work with directors and producers through to final delivery: dialogue, ambiences, music and mixing. My aim: clear, immersive sound that serves the emotion.
Résumé
Freelance Sound Engineer — Since 2026
Sound editing, dialogue editing, Foley, voice recording and mixing (stereo, 5.1, Dolby Atmos) for cinema, television, animation and documentary. Available for new projects.
Will Studio — March 2025 — September 2026
Post-production sound lead, I supervised and carried out sound editing, dialogue editing, Foley, voice recording and 5.1 / Atmos mixing, while managing the team and providing training. The projects shown here are from that period.
Freelance Sound Editor — 2022 — 2024
Session preparation, dialogue cleanup, Foley recording and sound editing, notably for ATM in Jonquière, QC.
Sound Technician and Stagehand — 2021 — 2024
Freelance on many live events: setup, strike, stage patching and stagehand work for clients including Le Sucre, Solotech, Moments Factory and Culture NEXT.
Diploma in Sound Technologies — 2021 — 2024
CEGEP d'Alma, Quebec.
Freelance Music Mixing — 2020 — 2024
Independent music mixing and mastering.
Skills
- Sound and dialogue editing
- Sound design
- 5.1 and Dolby Atmos mixing
- Foley
- Voice recording and ADR
- Audio restoration
- Conforming
- Sound system calibration
Software
- Pro Tools
- Reaper
- DaVinci Resolve
- iZotope RX
Projects
- Feature film “Josèphe” – Anaïs Aidoud — Sound editing, Dialogue editing, ADR recording, Cinema mix (2027)
- Animated short “La chute des éternels” – JPL Films — Voice recording (2027)
- Arte documentary “L’année des Félins” – Episodes 1 and 2 – Pierre Mann — Foley recording, Sound editing, Voice recording, TV + cinema mix (2026)
- Feature film “L’autre moi” – Admir Kadrija — Sound editing, Dialogue editing (2026)
- Feature film “Only Seven Days” – Rapsodies — Dialogue editing, Cinema mix (2026)
- Short film “Transfleurs” – Marie Petiot — Dialogue editing, Sound editing, Dolby Atmos mix (2026)
- Documentary “Sleep Work” – Paul Heintz — Sound mixing, Immersive museum mix (2026)
- Feature film “Walter Lapin” – Caroline Origer — French-version (VF) recording, VF mix (2026)
- Feature film “L’espèce explosive” – Sarah Arnold — Audio description recording, Audio description mix (2026)
- Short film “Fonce” – Lilia P. Schneider — Music recording, Music mixing, Sound editing, Dolby Atmos mix, VR mix (2026)
- Feature film “Les filles désir” – Prïncia Car — Foley editing (2025)
- TV film “César Wagner” – Episodes 12–13 — Sound editor (2025)
- Short film “La Grande envie” – Julien Aveque — Sound mixing (2025)
- Animated short “The Magician” – Bogdan Muresanu — Music recording, 7.1 music mixing (2025)
- TV film “La première éternelle” – Stéphane Bouquet — Dialogue editing, Sound editing, Dolby Atmos mix (2025)
- Animated series “Hamster” – season 2 — Voice recording, Mixing (2025)
- Animated series “3,2,1 GO” – season 1 — Voice recording (2025)
- Animated series “Eldrador, Smashrador” – seasons 1–2 — Original-version recording, Sound editing, Stereo mix (2025)
Area of work
Based in Lyon, I work in France and internationally: on site with travel possible, or remotely.
Contact
julien-resound@outlook.fr · +33 6 27 28 45 93 · Lyon, France
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